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Albinoni, Tomaso
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Albinoni, Tomaso (1671–1751)

Italian baroque composer and violinist. He wrote over 50 operas and numerous sonatas and concerti à cinque (concertos in five parts) for oboe, trumpet, bassoon, violin, organ, and strings, which helped to establish baroque orchestral style. His work was studied and adapted by Johann Sebastian Bach.

He was wealthy and never held a musical appointment, but was a fully trained musician. His concertos were among the first to be in three movements, and the oboe concertos Op. 7 were the first published in Italy. The popular Adagio, often described as being by Albinoni, was actually composed from a fragment of original manuscript by his biographer, the Italian musicologist Remo Giazotto (1910– ).

Works

Opera

55 operas, including Radamisto (Venice, 1698), Griselda (Florence, 1703), Pimpinone (Venice, 1708), and L'impresario delle Canarie (Venice, 1725).

Chamber

9 Op. nos. for instrumental chamber combinations, including 5 sets of 12 concertos, 30 other concertos, 42 trio sonatas, and 29 violin sonatas.



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? Mentioned in ? References in periodicals archive
 
The Grammy-winning Orpheus Chamber Orchestra, featuring acclaimed countertenor Andreas Scholl, performs works by Albinoni, Scarlatti, Telemann, Bach and traditional Irish, English, Welsh and American songs at UCLA's Royce Hall on Nov.
Comprised of pianist Erika Nickrenz, violinist Adela Pena and cellist Sara Sant'Ambrogio, the trio will perform the music of Buxtehude, Loeillet, Lotti, Bach and Albinoni.
Bach, Brandenburg Concertos, The Well-Tempered Clavier Baroque string music of Vivaldi, Albinoni, Corelli, Torelli, and others Born Free soundtrack Brahms, Violin Concerto Handel, Water Music Telemann, Concerto for Three Violins and Orchestra Tibetan bells
 
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