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Huxley, Aldous (Leonard) |
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Huxley, Aldous (Leonard) (1894-1963)English writer of novels, essays, and verse. From the disillusionment and satirical eloquence of Crome Yellow (1921), Antic Hay (1923), and Point Counter Point (1928), Huxley developed towards the Utopianism (perfect political and social conditions) exemplified by Island (1962). His most popular work, the science fiction novel Brave New World (1932) shows human beings mass-produced in laboratories and rendered incapable of freedom by indoctrination and drugs. Huxley was born in Godalming, Surrey, and educated at Oxford University. He was the grandson of the scientist and humanist Thomas Henry Huxley and brother of the biologist and writer of popular science books Julian Huxley. Aldous Huxley intended to become a doctor, but was hindered by problems with his sight, being blind for a time. Later his eyesight partly recovered and he graduated from Oxford with an English degree in 1915. Huxley joined the staff of the Athenaeum in 1919 and did miscellaneous literary work. He was in Italy 1923-30, writing novels, and he associated with English writer D H Lawrence there. In 1934 he visited Central America and in 1938 settled permanently in California. Huxley's later devotion to mysticism led to his experiments with the hallucinogenic drug mescalin, recorded in The Doors of Perception (1954). His other works include the philosophical novel Eyeless in Gaza (1936), After Many a Summer (1939; Tait Black Memorial Prize), the biography of French monk Père Joseph Grey Eminence (1941), and The Devils of Loudun (1952).
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George Orwell, Aldous Huxley, Yevgeny Zamyatin, Ayn Rand, and other
gifted writers have created fictional dystopias that illustrate
totalitarian methods at work. Eliot, Aldous Huxley, James
Joyce and Ernest Hemingway, to mention a few, evoke images of solitary,
alienated people who, together, form a community of the isolated"
("Treatment" 1). Still, the
new is sometimes a process of transgress and regress, not progress, and
Ishiguro offers a cautionary tale for the twenty-first century in the
tradition of William Golding and Aldous Huxley. |
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