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aleatory music

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aleatory music

Method of composition practised by post-war avant-garde composers in which the performer or conductor chooses the order of succession of the composed pieces. Examples of aleatory music include Pierre Boulez's Piano Sonata No 3 (1956–57), Earle Brown's Available Forms I (1961), and Stockhausen's Momente/Moments (1961–72). Another term for aleatory music is ‘mobile form’.

Aleatory music is distantly related to the 18th-century ‘musical dice game’ and to the freely assembled music for silent movies using theme catalogues by Giuseppe Becce and others. The use by John Cage of dice and the I Ching differs in that it intervenes in the actual process of composition.



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? Mentioned in ? References in periodicals archive
 
Aleatory music finds a parallel in the changing codes of etiquette, dress, speech, and behavior since the late 1960s; in all of these areas choices have become much more a matter of individual preference than they once were.
Music: a bridge between two cultures by Espinosa, Alma / Forum on Public Policy: A Journal of the Oxford Round Table
Mosaic and United" employs both aleatory music (in which the performer may choose the sequence of the music) and music based on five beats, which Morris says "isn't hard for our company.
Outspoken onstage and about his work; Interview; Mark Morris, dancer by The Seattle Times (Seattle, WA)
The piece also could be an interesting way to approach aleatory music for the first time with students leading naturally to more modern approaches to the style.
Instruction: To compose without the least knowledge of Music so much ... by Shadinger, Richard C. / American Music Teacher
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