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Amy, Gilbert (1936– )| French composer of advanced tendencies. His compositions show the influence of oriental music, total serialism, and aleatory techniques. |
| He studied with Darius Milhaud, Olivier Messiaen, and Pierre Boulez. He was director of the Concerts du Domaine Musical, specializing in new music. |
Works Orchestral Mouvements for chamber orchestra (1958), Adagio et Stretto for orchestra (1978), Chant pour orchestre (1980), Orchestral (1987). |
Chamber Alpha-Beth for six wind instruments (1964); Epigrammes for piano (1961), Obliques I–III for piano (1987–89); Mémoire for cello and piano (1989). |
Vocal Messe for soloists, chorus, and orchestra (1983); Écrits sur toile for reciter and ensemble (1983); Choros for male vocalists, chorus, and orchestra (1989). |
Other Cycle for percussion (1964–66); La Variation ajoutée for tape and instruments (1986). |
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