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art history
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art history

The study of works of art. German archaeologist Johann Winckelmann laid the foundations for a systematic study of art history as early as the mid-18th century, but it did not become an academic discipline until 1844 when a chair was established at Berlin University. Two basic approaches had emerged by the end of the 19th century: the first considered art in relation to its cultural or social context (Jacob Burckhardt, Hippolyte Taine); the second sought to analyse works of art in terms of such ‘formal’ properties as colour, line, and form (Heinrich Wölfflin). A later approach, rejecting the formalism of Wölfflin, concentrated on iconography, the study of the meaning of works of art (Erwin Panofsky, Emille Mâle).



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It is a great scholarly text of particular interest to philosophers, art historians, as well as students and non-specialist general readers with an interest in ethics, aesthetics, and intellectual history.
In a sense, the proof already exists, in the prior work of art historians David Freedberg (The Power of Images [1989]) and Hans Belting (Likeness and Presence [1994]), whose influence has clearly shaped much of Mitchell's own outlook.
The German and Dutch art historians, publisher and rabbi, Angeli Sachs and Edward van Voolen, have assembled 26 projects by 12 architects in their exhibition 'Jewish Identity in Contemporary Architecture', originally showing at the Jewish Museum in Berlin and now travelling around Europe.
 
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