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Koestler, Arthur |
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Koestler, Arthur (1905-1983)Hungarian-born British writer. Imprisoned by the Nazis in France 1940, he escaped to England. His novel Darkness at Noon (1940), regarded as his masterpiece, is a fictional account of the Stalinist purges, and draws on his experiences as a prisoner under sentence of death during the Spanish Civil War. He also wrote extensively about creativity, science, parapsychology, politics, and culture.
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| This meant avoidance of the sort of confrontation with Soviet power advocated by Arthur Koestler and Manus Sperber, but Camus also opposed the sort of accommodation to Marxist dogma advocated by the early Andre Malraux and the later Sartre. Such a capacity rests on what Arthur Koestler called "the doctrine of unshaken foundations"--the overwhelming, superior moral importance attributed to the ends, which allow the individual to overlook, or altogether dismiss, the human costs of their pursuit. In his theory of creativity as bisociation, Arthur Koestler wrote: "When two independent matrices of perception or reasoning interact with each other the result . |
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