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Biskra

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Biskra

Oasis town in Batna department, Algeria, on the edge of the Sahara Desert, about 200 km/124 mi southwest of Constantine; population (1998 est) 181,600. Biskra is the centre of the Zab (Ziban) group of oases and lies to the south of a large depression between the Aurés Massif and the Tell Atlas, en route from Constantine to Touggourt. Dates, olives, figs, apricots, wheat, and barley are produced. The mild winters, and the airport and hot sulphur springs in the modern spa of Hammam Salahine 5 km/3 mi to the northwest, have helped the rise of the tourist industry.

The town was built on the site of the Roman fort of Vescera, and grew rapidly after the Arab conquest of North Africa in the 9th century. The Turks occupied Biskra in 1552, and it became a French garrison town in 1844.



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This is only one topic (unraveled in two chapters, one on the 1907 Blue Nude--which was subtitled Souvenir de Biskra only in 1931, a fascinating find in itself--and the other on the 1912-13 Moroccan paintings), but every major work, from Luxe, calme, et volupte, 1904-05, and The Joy of Life, 1905-06, to Dance II, 1909-10, and Music, 1910, is similarly recontextualized, restoring to Matisse the edge that recent scholarship had tended to blunt.
The name derives from the town of Biskra in Algeria, though whether the first weavers of biskri had emigrated from Algeria to Djerba or whether Djerban weavers simply imitated the design of a (possibly defunct) type of cloth woven in Biskra, and perhaps traded to Djerba via Libya, remains a subject of future research.
One example of the Gidean philosophical dichotomization is found in the French author's comment in Madeleine on the opposition between the "wonderful feminine figures solicitously watching over [his] childhood" (17), emblematic of a purely disincarnate love, and the "objects" of his carnal desires, such as the three schoolboys in the train to Biskra, Algeria, one of the locales of his discovery of his "pederastic" leanings, to which he returned during this honeymoon.
 
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