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Blur

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Blur

English pop group. Their album Parklife (1994) won wide admiration for its catchy melodies and quirky ‘cockney’ attitude. Members are singer Damon Albarn (1968- ), guitarist Graham Coxon (1969- ), bassist Alex James (1968- ), and drummer Dave Rowntree (1963- ).

Coxon left the band in 2002, and the remaining three members continued under the same name. Their first album without the influential guitarist was the successful Think Tank (2003), which was far darker and more experimental than their earlier output.

Blur's first single ‘She's So High’ (1990) won them an audience among indie music fans, and their debut album Leisure and in particular the single ‘There's No Other Way’ (both 1991) established Blur as a moderately successful though unexceptional indie band. Their second album, Modern Life is Rubbish (1993), was well received by fans but covered little new ground.

The release of the single ‘Girls and Boys’ (1994) and the third album Parklife established Blur as the typically English pop group, combining a feel for ‘classic’ English pop with a 1990s sensibility. The mainstream success that followed for Blur led to a renewed interest in modern English pop (termed ‘Britpop’).

The single ‘Country House’ (1995) went straight to the top of the charts. Their fourth album was The Great Escape (1995); it was followed by Blur (1997), and 13 (1999).


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Amid the blur of green, and dimly, she saw familiar faces and heard voices as if they came from far across the fields, and Edmond was holding her.
Louis at four in the afternoon, and she stood on the lower guard abaft the paddle box and watched Tom through a blur of tears until he melted into the throng of people and disappeared; then she looked no more, but sat there on a coil of cable crying till far into the night.
Had he had the eyes of a man, nearly two yards higher than his own from the deck, and had they been the trained eyes of a man, sailor- man at that, Jerry could have seen the low blur of Ysabel to the north and the blur of Florida to the south, ever taking on definiteness of detail as the Arangi sagged close-hauled, with a good full, port-tacked to the south-east trade.
 
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