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Borges, Jorge Luis
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Borges, Jorge Luis (1899-1986)

Argentine poet and short-story writer. He was an exponent of magic realism. In 1961 he became director of the National Library, Buenos Aires, and was professor of English literature at the university there. He is known for his fantastic and paradoxical work Ficciones/Fictions (1944). He became blind in later life, but continued to write.

Borges explored metaphysical themes in early works such as Ficciones and El Aleph/The Aleph, and other Stories (1949). In a later collection of tales El informe de Brodie/Dr Brodie's Report (1972) he adopted a more realistic style, reminiscent of the work of the young Rudyard Kipling, of whom he was a great admirer. El libro de arena/The Book of Sand (1975) marked a return to more fantastic themes.


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But given the course of large-scale exhibitions, it seems not unreasonable to wonder what projects in this vein we've seen in 2005--projects, that is, that engage a site, but primarily to bleed into or provide a Borgesian map of it, making the environment of a piece with the work, the whole then seeming (forgive my rhetorical leap of faith) at once fictional and real, remote and close, virtual and present, a kind of intimate mediascape.
Peer reviewed online periodicals as well as print journals that are disseminated online in full text through, for example, Gale's Infotrac or OCLC's First Search are probably no less accurate than they would be in hard copy, but only in a surrealstic Borgesian world could innumerable printings of the hard copy, deposited in countless repositories, be altered.
What in particular is Borgesian about Wilson's work?
 
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