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Brandenburg Concertos
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Brandenburg Concertos

A series of six orchestral concertos in the concerto grosso style by Johann Sebastian Bach, dedicated in 1721 to the Margrave Christian Ludwig of Brandenburg.

They are: No. 1, in F, for three oboes, two horns, bassoon, violino piccolo, strings, and continuo; No. 2, in F, for recorder, oboe, trumpet, violin, strings, and continuo; No. 3, in G, for three violins, three violas, three cellos, bass, and continuo; No. 4, in G, for two recorders, violin, strings, and continuo; No. 5, in D, for flute, violin, harpsichord, strings, and continuo; and No. 6, in B flat, for two violas, two bass viols, cello, bass, and continuo.



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The French choreographer's iconic fat suits, in which 20 dancers waddle and cavort-and do it with great technical skill--to two Bach Brandenburg Concertos, aren't nearly as witty as this piece's sophisticated satirical jab at choreographers who deploy bouncy baroque music like sonic wallpaper, to conceal the cracks in their craftsmanship.
Later highlights include Robert Schumann's ``Fairy Tales,'' two of Johann Sebastian Bach's Brandenburg Concertos, virtuosic compositions by Franz Schubert, Heitor Villa-Lobos and Sergey Prokofiev and a rarely heard masterwork by the 17th-century English composer John Dowland.
Vincent's counter/part, a blend of balletically rooted movement and stunning imagery, is set primarily to excerpts from Bach's Brandenburg Concertos and interlaced with more contemplative sections from the composer's Italian Concerto in F Major for Harpsichord as well as periodic whispers in Italian.
 
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