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cancionero |
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cancionero
cancionero
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? Mentioned in | ? References in periodicals archive | ||
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| Los Lobos/``Los Lobos: El Cancionero, Mas y Mas'' (Rhino) He illustrates how Garcilaso internalized Petrarchism and also amalgamated classical, cancionero, and other Italian poetry so as to naturalize Petrarch within a larger tradition rather than allowing him to be the tradition, creating a space in which Garcilaso could present himself as that tradition's culmination. The critic affirms that only by taking into account various types of Italian Renaissance influence - Bembo's theories of poetic imitation, Bernardo Tasso's spearheading of a reaction against Petrarchism, and mythological iconography in Italian painting of the period - can we appreciate how Garcilaso's brief opus actually breaks down into three distinct stages: the Hispanic cancionero style, the Petrarchan style, and the Neoclassical style. |
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