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Cremona| Town in Lombardy, Italy, on the River Po, 72 km/45 mi southeast of Milan; population (2001) 70,900. Traditionally a violinmaking centre, it also produces food products and textiles. It has a 12th-century cathedral, linked to a 13th-century campanile (bell-tower), which is 111 m/364 ft high and the tallest in Italy. |
| Cremona was founded in 218 BC as a Roman colony, together with Placentia, to command Cisalpine Gaul. It was destroyed by Vespasian in 69, by the Goths in 540, and by the Lombards in 605. It passed into the possession of the Visconti in the 14th century, and in 1535 came under Spanish control. In 1814 it became Austrian, and in 1859 Italian. |
| The cathedral contains paintings, tapestries and sculptures. There are many old churches, as well as palaces, museums, libraries, and art galleries. From the 16th to 17th centuries the town produced a notable school of painters, including Girolamo Romanino and Boccaccio Boccacino, both of whom worked on the cathedral's frescoes. |
| Cremona's violins were highly acclaimed from the 16th to 18th centuries. Figures associated with the industry include Antonio Stradivari (Stradivarius), and the Amati and Guarneri families. The International School of Violin Making at the Livteria School in Piazza Marconi carries on this tradition. |
| Cremona was the birthplace of the composer Claudio Monteverdi in 1567, the mathematician Guido Grandi in 1671, and the mathematician Eugenio Beltrami in 1835. |
Cremona| Province of northern Italy in southern Lombardy; capital Cremona; area 1,771 sq km/684 sq mi; population (2000 est) 334,300. |
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Adda Amati Aselli, Gasparo Bergonzi Boccacino, Boccaccio Campi Crema fida ninfa, La Gerard of Cremona Guadagnini, Giovanni Battista
| Ingegneri, Marc Antonio Klotz Massaini, Tiburtio Merula, Tarquinio Montagnana, Domenico Monteverdi, Claudio Giovanni Antonio Po Ponchielli, Amilcare Romanino, Girolamo
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| But though the love to these several objects may possibly be one and the same in all cases, its operations however must be allowed to be different; for, how much soever we may be in love with an excellent surloin of beef, or bottle of Burgundy; with a damask rose, or Cremona fiddle; yet do we never smile, nor ogle, nor dress, nor flatter, nor endeavour by any other arts or tricks to gain the affection of the said beef, &c. My companion was in the best of spirits, and prattled away about Cremona fiddles, and the difference between a Stradivarius and an Amati. |