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Da Ponte, Lorenzo
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Da Ponte, Lorenzo (Conegliano Emmanuele) (1749–1838)

Italian librettist. He is renowned for his collaboration with Mozart in The Marriage of Figaro (1786), Don Giovanni (1787), and Così fan tutte (1790). His adaptations of contemporary plays are deepened by a rich life experience and understanding of human nature.

Born in Ceneda (now Vittorio Veneto), he studied to take holy orders, proving a skilful versifier in both Italian and Latin. Appointed as a professor in literature at Treviso Seminary in 1773, his radical views and immoral behaviour led to his banishment from Venice in 1779. Travelling to Vienna, Austria, he was appointed as librettist to the New Italian Theatre in 1781 on the recommendation of Antonio Salieri. His first major success was in adapting Beaumarchais's comedy for Mozart's The Marriage of Figaro. Don Giovanni and Così fan tutte followed, together with libretti for other composers. In 1805 he emigrated to the USA, eventually becoming a teacher of Italian language and literature.



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Seeing Figaro kiss the hand of his master's wife, to say nothing of watching the page Cherubino smooch with her, subverts what Mozart and his librettist Lorenzo da Ponte intended.
These days I would make a rather deviant [sic] claim for the Libertine Reader: I'd say that unless you can respond to such works as those in this volume, you will probably fail to understand and enjoy the Da Ponte operas of Mozart, the paintings of Fragonard and Watteau, and ultimately the novels of Stendhal.
The contract with Concessionaria da Ponte Rio-Niteroi S/A will be the first ETC system ever implemented in Brazil.
 
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