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Debora e Jaele

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Debora e Jaele

Opera by Ildebrando Pizzetti (libretto by composer), first produced at the Teatro alla Scala, Milan, Italy, on 16 December 1922. It is loosely based on the biblical story; Sisera, here the king of Canaa, faces a conflict between his love for Jael and duty. Later Jael splits the sleeping Sisera's skull, rather than leave him to a worse death before the victorious Israelites.
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Their topics include Jephthah's daughters as object of desire or feminist icon, Ildebrando Pizzetti's re-visioning of a biblical story through libretto and music in Debora e Jaele, and strategic ambiguity in Judges 4-5 and in classic film noir.
Retellings; the Bible in literature, music, art and film by Reference & Research Book News
 
 
 
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