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Duchamp, Marcel
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Duchamp, Marcel (1887–1968)

French-born US artist. He achieved notoriety with his Nude Descending a Staircase No 2 (1912; Philadelphia Museum of Art), influenced by cubism and Futurism. An active exponent of Dada, he invented ready-mades, everyday items (for example, a bicycle wheel mounted on a kitchen stool) which he displayed as works of art.

A major early work that focuses on mechanical objects endowed with mysterious significance is La Mariée mise à nu par ses célibataires, même/The Bride Stripped Bare by Her Bachelors, Even 1915–23 (Philadelphia Museum of Art). Duchamp continued to experiment with collage, mechanical imagery, and sculptural assemblages throughout his career. He lived mostly in New York and became a US citizen 1954.



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DADA" by Rudolf Kuenzli provides an descriptive analysis within an historical context, examining Dada's impact and resonance in the art and culture of this opening decade of the 21st Century from the avant-garde work of such Dada luminaries as Hugo Ball, Marcel Duchamp, many Ray, Francis Picabia, Raoul Hausmann, Hannah Hoch, Kurt Schwitter, Max Ernst, Lajos Kassak, and many others.
Born in France, Duchamp came to the United States to escape World War I and quickly made a name for himself with Nude Descending a Staircase, his notorious entry in the groundbreaking 1913 New York Armory exhibition.
What if the wellspring of art since World War II were to be found not in the mass-made objects Duchamp bought and recontextualized in the teens, but in the crafty way he remade and repackaged them decades later?
 
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