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Evocations| Three symphonic poems by Albert Roussel, composed 1910–12: 1. Les Dieux dans l'ombre des cavernes; 2. La Ville rose; and 3. Aux bords du fleuve sacré. It was first performed for the Société Nationale in Paris, France, on 18 May 1912. |
| The symphonic suite with the same title by Ernest Bloch was composed in 1937 and first performed in San Francisco, USA, on 11 February 1938. It has the three movements Contemplation, Houang/God of War, and Renouveau. |
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Betjeman, John
Blumenfeld, Harold
Conrad, Joseph
Heaney, Seamus Justin
Holbein, Hans, the Younger
Illyés, Gyula
Lave, Camara
Loeffler, Charles Martin
| Marvell, Andrew
nationalism
Roussel, Albert
Ruggles, Carl
tanka
Thomas, Edward
Wagner, Richard
Yourcenar, Marguerite
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| She is nicely abetted by Debon's gouache and mixed-media spreads, where well-composed scenes of daily life, rich in prairie golds and browns, are varied with sea vistas that, in calm and storm, recall Robert McCloskey's masterful evocations. Analyses and commentary mingle with frequent metaphoric, near-poetic, evocations of musical passages. This article explores the ideals of manhood articulated in the records and publications of the first generation of the Knights of Columbus, a Catholic fraternal organization, arguing that the commitments that followed from being immigrant Catholics muddied the supposed "separateness" of Victorian separate spheres for early Knights, embedding powerful evocations of faith and family in their fraternal rituals and rhetoric. |