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Filarete

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Filarete (c. 1400-1469)

Italian sculptor and architect. His masterpiece is the huge west door of St Peter's, Rome, cast in bronze, with enamelled and gilded decoration, about 1445. He is also remembered for his imaginative Tratto d'architettura/Treatise on Architecture, in which he develops plans for an ideal city named Sforzinda, after a prominent Milanese patron, Francesco Sforza.

Filarete was born in Florence. His nickname, derived from the Greek for ‘lover of virtue’ is typical of his desire to emulate the sculpture and architecture of antiquity.

His reduced version of a Roman statue of Marcus Aurelius is the earliest datable bronze statuette of the Renaissance and was presented in 1465 to Piero de' Medici. In the same year Filarete dedicated a copy of his Treatise on Architecture to Piero. Though widely read, his treatise was called ridiculous by Vasari. His principal surviving building is the hospital in Milan (Ospedale Maggiore,1456-65), where Lombard ornamented brickwork is combined with Renaissance forms derived from Brunelleschi.


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The drawn musings on parchment of Francesco di Giorgio and narratives by Filarete discuss the process of how to build a city, in both cases under the umbrella of reflected religious dogma.
12) Oberhuber, 1971, 128, notes Klaus Schwager's thesis that the portrait is based on audience scenes depicted by Filarete and Jean Fouquet; Guazzoni, 120-21; Shearman, 1992, 128.
Art theorists from Filarete (fifteenth century) to Leopoldo Cicognara (eighteenth century) to John Shearman (twentieth century) have written about the historical dissonance in the ancient-modern mix of the Paduan general's portrait, armor, and stance, about the static quality of the equestrian group, and the unduly small scale of Gattamelata in proportion to his horse.
 
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