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Vico, Giambattista
(redirected from Giambattista Vico)

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Vico, Giambattista (Giovanni Battista) (1668–1744)

Italian philosopher, considered the founder of the modern philosophy of history. He argued that we can understand history more adequately than nature, since it is we who have made it. He believed that the study of language, ritual, and myth was a way of understanding earlier societies. His cyclical theory of history (the birth, development, and decline of human societies) was put forward in New Science (1725).

Vico postulated that society passes through a cycle of four phases: the divine, or theocratic, when people are governed by their awe of the supernatural; the aristocratic, or ‘heroic’ (Homer, Beowulf); the democratic and individualistic; and chaos, a fall into confusion that startles people back into supernatural reverence. This is expressed in his dictum verum et factum convertuntur (‘the true and the made are convertible’). His belief that the study of language and rituals was a better way of understanding early societies was a departure from the traditional ways of writing history either as biographies or as preordained God's will.

Vico was born in Naples and was professor of rhetoric there 1698. He became historiographer to the king of Naples 1735.



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WHEN GIAMBATTISTA VICO died in 1744, his funeral degenerated into a public controversy as the faculty of the University of Naples, where he taught, and members of the Confraternity of Santa Sofia, to which he had belonged, argued over which group should provide the pallbearers.
Of all the methods that Said employs to transcend this mostly political and cultural structure of domination and coercion, no two interpretative strategies have been of more importance to his work than the work of Erich Auerbach and Giambattista Vico.
Benedetti reconstructs the stages and the routes of the complex itinerary of the Tabula in Italian culture from the fifteenth to the eighteenth century: the textual and linguistic rediscovery, the first translations from Greek into Latin, the interpretation of the work by humanists, the poetic versions and prose vulgarizations in academic circles and in those of the courtiers, and the cultural and literary assimilation from the Cinquecento to the literary rendition of Giambattista Vico.
 
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