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Hildegard of Bingen
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Hildegard of Bingen (1098–1179)

German abbess, writer, and composer. Her encyclopedia of natural history, Liber simplicis medicinae (1150–60), giving both Latin and German names for the species described as well as their medicinal uses, is the earliest surviving scientific book by a woman.

Hildegard was abbess of the Benedictine convent of St Disibode, near the Rhine, from 1136.

She wrote a mystical treatise, Liber Scivias 1141, and collected her lyric poetry in the 1150s into one volume, providing each individual text with music. The poetry is vivid, reflecting the visions she experienced throughout her life. The melodic structure of her music is based on a small number of patterns (similar to motifs), which are repeated in different modes.



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In contrast to such Latinists as the tenth-century Hrotsvitha von Gandersheim or the twelfth-century Hildegard von Bingen, early modern German nuns rarely produced work in Latin (with the notable exception of Caritas Pirckheimer).
1 In the Middle Ages, Hildegard von Bingen, who lived as a ________, became one of the first ever known composers of music, even through very few medieval women were taught how to __________________.
On four small, dark screens set in wall recesses, an animated blossom of white appears and disappears in respiratory rhythm; each has its own sound track, ranging from Buddhist liturgical music to a vocal invocation by Hildegard von Bingen, the twelfth-century German nun now best known for her work's ubiquity on relaxation compilations.
 
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