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Isenheim Altar

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Isenheim Altar

Altarpiece by the German painter Matthias Grünewald (1510–15), executed for the convent of the order of St Anthony at Isenheim, Alsace.

It is a polyptych showing in its original complete form a collaboration between the painter and the woodcarver Backoffen. Backoffen's work is a centrepiece of St Anthony enthroned, with St Augustine and St Jerome, and carvings in the predella of Christ and the 12 apostles. The painted scenes by Grünewald, presented by the opening or closing of the several panels, are: St Anthony assisting the hermit Paul; the temptation of St Anthony; the Annunciation; the Virgin among angelic musicians; the Virgin and Child; the Resurrection; and the Crucifixion. On the predella, when closed, there is a pietà. In two wings flanking the closed centrepiece (Crucifixion) are St Anthony and St Sebastian, the latter the supposed portrait of the artist.



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The American art historian Arthur Burkhard states that the Isenheim altar clearly establishes Grunewald's claim to rank with Durer and Hans Holbein (the Younger, 1497?
Nowhere in the history of Western art are there such eloquent images of anguish as the hands of Mary and John in Lucas Cranach's Crucifixion, 1503, or Mary and Mary Magdalen in the crucifixion scene of Matthias Grunewald's Isenheim Altar piece, c.
 
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