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James, Henry
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James, Henry (1843–1916)

US novelist, who lived in Europe from 1875 and became a naturalized British subject in 1915. His novels deal with the social, moral, and aesthetic issues arising from the complex relationship between European and American culture. They include The Portrait of a Lady (1881), The Bostonians (1886), What Maisie Knew (1887), The Ambassadors (1903), and The Golden Bowl (1904). He also wrote more than a hundred shorter works of fiction, notably the novella The Aspern Papers (1888) and the supernatural/psychological riddle The Turn of the Screw (1898).

James was born in New York City and studied law at Harvard. In 1864 he began contributing reviews, sketches, and short stories to various periodicals. His first novel Watch and Ward (1871) appeared in serial form, and his first volume of short stories was published in 1875. He moved to Paris that year, then to London in 1876, where he stayed for over 20 years. In 1898 he moved to Lamb House, Rye, Sussex, and remained in England for the rest of his life. Initially a master of psychological realism, noted for the complex subtlety of his prose style, James became increasingly experimental, writing some of the essential works of early modernism.

Other major novels include Roderick Hudson (1876), The American (1877), Washington Square (1881), The Tragic Muse (1890), The Spoils of Poynton (1897), The Awkward Age (1899), and The Wings of the Dove (1902). He also wrote travel sketches, including The American Scene (1906), which records his impressions on returning to the USA after 20 years' absence, and literary criticism, including Notes on Novelists (1914). Collections of short stories include Terminations (1895) and The Altar of the Dead (1909). Two works, The Ivory Tower and The Sense of the Past, unfinished at the time of his death, were published in 1917.



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Where earlier authors looked to England and Europe for aesthetic inspiration and cultural validation, writes Powers, Twain provided a "radically new native voice [that was] diametrically the opposite of Jamesian eloquence [and which] radiated, in its very homespun ardency, a new sort of American truth.
A survey of the various projects and genealogies proposed in the name of cosmopolitanism would go well beyond the scope of this essay, but even the most cursory glance at the literature (the essays collected in Robbins and Cheah, and Breckenridge et al) yields a gamut of origins running from the Stoics to Kant to Jamesian pragmatism, and agendas ranging from ethnocentrism to radical pluralism.
The phrases echo the Jamesian idea that spontaneously organized mass action can bypass vanguardist organizations and strike an effective blow against oppression.
 
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