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Cornell, Joseph
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Cornell, Joseph (1903–1972)

US assemblage artist. Cornell's art consisted of collecting ephemera in junkshops, which then gained power by their juxtaposition in a box or display-case (termed ‘magic peep holes’), expressing the ‘endlessly mysterious processes of the mind’. He described the process of collecting materials ‘metaphysics of ephemera’. Although he never left his native New York, and never even moved house, his best works convey a sense of unexpected beauty (‘intangible visitations’).

Cornell was influenced by the European surrealists, and first exhibited with them in a New York gallery in the 1930s. His constructions display such varied items as birds' eggs, photographs, wine glasses, and dolls' heads, creating a highly personal ‘theatre’ of memory and nostalgia, with references to literature, art history, music, and dance.



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In Pasadena, along with groundbreaking exhibitions of Kurt Schwitters and Joseph Cornell, Hopps organized the first solo museum show of Marcel Duchamp in 1963, a milestone in the repositioning of the artist from a marginal jokester to a central figure of modern art.
5 -- color) ``Untitled (Sylphide Souvenir Case)'' (1942) by Joseph Cornell is in mixed media.
Joseph Cornell (1903-72), whose creations were small boxes filled with objects, was represented with A Dressing Room for Gille, a character in many of Watteau's clown studies.
 
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