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Baker, Josephine
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Baker, Josephine (1906–1975)

US-born dancer and entertainer. Baker achieved international fame for her daring stage act which involved lively dancing, scat singing, and scanty costume. After appearing in the Paris Folies Bergère in 1925, she became enormously successful in France, becoming a French citizen in 1937. Baker boycotted the USA for many years, refusing to accept the secondary status afforded to African-American citizens. On her return to the USA in the 1950s, she campaigned for racial equality, forcing the integration of several theatres and night-clubs. She addressed the crowds before the Lincoln Memorial at the 1963 march on Washington.

Baker cooperated with the French Resisitance movement in Word War II, using her opportunity to travel abroad to pick up intelligence. After the war she took up the cause of world brotherhood, adopting 12 children of various races and religions and raising them at her estate in France. Her plans for a ‘world village’ at her estate collapsed under financial debt. In order to raise money she made a comeback in 1973–75.



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Andrew Lepecki and Samir Dayal provide contrasting essays on Josephine Baker as a pioneer of European blackness, while Dorothea Fischer-Hornung concentrates on the choreographer Katherine Dunham's 1954 German tour; P.
Josephine Baker was a performing artist who used her standing and acclaim for the political purpose of reducing the burden of racist legislation and custom.
Arranged roughly chronologically in nine thematic sections, the show kicks off with selected examples of Perriand's student work and other early drawings, among them a lively watercolour on black paper depicting a near-naked Josephine Baker dancing on stage.
 
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