Lorenzo Da Ponte - Hutchinson encyclopedia article about Lorenzo Da Ponte Printer Friendly
Dictionary, Encyclopedia and Thesaurus - The Free Dictionary
1,508,409,392 visitors served.
?
Dictionary/
thesaurus
Medical
dictionary
Legal
dictionary
Financial
dictionary
Acronyms
 
Idioms
Encyclopedia
Wikipedia
encyclopedia
?

Da Ponte, Lorenzo
(redirected from Lorenzo Da Ponte)

   Also found in: Encyclopedia, Wikipedia 0.09 sec.

Da Ponte, Lorenzo (Conegliano Emmanuele) (1749–1838)

Italian librettist. He is renowned for his collaboration with Mozart in The Marriage of Figaro (1786), Don Giovanni (1787), and Così fan tutte (1790). His adaptations of contemporary plays are deepened by a rich life experience and understanding of human nature.

Born in Ceneda (now Vittorio Veneto), he studied to take holy orders, proving a skilful versifier in both Italian and Latin. Appointed as a professor in literature at Treviso Seminary in 1773, his radical views and immoral behaviour led to his banishment from Venice in 1779. Travelling to Vienna, Austria, he was appointed as librettist to the New Italian Theatre in 1781 on the recommendation of Antonio Salieri. His first major success was in adapting Beaumarchais's comedy for Mozart's The Marriage of Figaro. Don Giovanni and Così fan tutte followed, together with libretti for other composers. In 1805 he emigrated to the USA, eventually becoming a teacher of Italian language and literature.



?Page tools
Printer friendly
Cite / link
Email
Feedback
?Sign in SSL protected
Email:
Password:
Register

? Mentioned in ? References in periodicals archive
 
Seeing Figaro kiss the hand of his master's wife, to say nothing of watching the page Cherubino smooch with her, subverts what Mozart and his librettist Lorenzo da Ponte intended.
More important, Hall's cogent vision, now entrusted to director Thor Steingraber, seems to inspire singers, perhaps because it adheres so faithfully to the opera buffa Mozart and Lorenzo da Ponte crafted.
Lorenzo da Ponte, who wrote the libretto (and also collaborated with Mozart on ``Cosi Fan Tutti'' and ``Don Giovanni'') pared down the Beaumarchais play but still kept all its humor and point intact, including surprise endings for each of the works' four acts.
 
Hutchinson browser? ? Full browser
 
 
Hutchinson Encyclopedia
?

Disclaimer | Privacy policy | Feedback | Copyright © 2009 Farlex, Inc.
All content on this website, including dictionary, thesaurus, literature, geography, and other reference data is for informational purposes only. This information should not be considered complete, up to date, and is not intended to be used in place of a visit, consultation, or advice of a legal, medical, or any other professional. Terms of Use.