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Credi, Lorenzo di (1458–1537)| Italian painter. In his sensitive Madonnas and other decorous religious paintings, his fondness for painting children appears. An example is Madonna and Child (Louvre, Paris). |
| A fellow pupil with Leonardo da Vinci under Andrea del Verrocchio, he remained Verrocchio's assistant until the latter's death in 1488, and among his works is a portrait of Verrocchio (Uffizi, Florence). His work reflects the influence of the young Leonardo. He burnt some of his pictures during the ‘bonfire of vanities’ in 1497 led by the religious reformer Girolamo Savonarola. |
| Credi's works include The Nativity (Accademia, Florence); The Virgin and Child (National Gallery, London); and The Holy Family (National Gallery of Scotland, Edinburgh). |
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| From Fra Filippo Lippi through Sandro Botticelli, Lorenzo di Credi, and Piero di Gosimo to Michelangelo, Raphael, and Giuliano Bugiardini, she notes that tondi flooded the Florentine market as part of the idealization of domestic life and the celebration of family relationships. Not only do we see him interacting with his bright young assistants, Lorenzo di Credi and Leonardo da Vinci, but the catalogue entries fully reveal the intelligent dialogues he held with himself and his own works, especially as his thinking moved from drawing to modeling in terracotta to painting and back again. Such an original invention would surely have been emulated prior to the Portrait of the Lady Holding a Ring (Metropolitan Museum of Art, New York), attributed to Lorenzo di Credi and currently dated in the 1490s. |
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