Total serialism - Hutchinson encyclopedia article about Total serialism Printer Friendly
Dictionary, Encyclopedia and Thesaurus - The Free Dictionary
3,579,304,429 visitors served.
forum Join the Word of the Day Mailing List For webmasters
?
Dictionary/
thesaurus
Medical
dictionary
Legal
dictionary
Financial
dictionary
Acronyms
 
Idioms
Encyclopedia
Wikipedia
encyclopedia
?

serialism
(redirected from Total serialism)

   Also found in: Dictionary/thesaurus, Encyclopedia, Wikipedia 0.03 sec.

serialism

In music, a later form of the twelve-tone system of composition, invented by Arnold Schoenberg, and hinted at in the later works of Max Reger.

It usually refers to post-1950 compositions in which elements of the music were brought under the same type of control as pitch in twelve-tone music. The tone-row (the order in which the composer decides to arrange the 12 notes) can be expressed as numbers (a series) which can then be used to control parameters such as dynamics, rhythm, and attack.

In its extreme form, known as integral serialism every parameter of a piece is controlled by one series: a classic example of this is Olivier Messiaen's Quatre Etudes du Rythm. Other major works using serialism include Jean Barraqué's monumental sonata for piano and Anton Webern's symphony Op.21.



How to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit webmaster's page for free fun content.
?Page tools
Printer friendly
Cite / link
Feedback
?Sign in SSL protected
Email:
Password:
Register

Mentioned in?  References in periodicals archive?   Hutchinson browser?   Full browser?
 
Together with Pierre Boulez, Stockhausen led that stylistic revolution by example, not only establishing the new language of total serialism but developing it conceptually and formally in a series of dazzlingly effective works.
to the different problems at the root of these unfinished works, chiefly among them being the crisis in the language of music after total serialism had proved a dead end (1949-1952) and the lack of technical means for adapting the actual sound material (whether electro-acoustic or instrumental) to Boulez's demands as a composer.
 
 
 
Hutchinson Encyclopedia
?

Terms of Use | Privacy policy | Feedback | Copyright © 2012 Farlex, Inc.
Disclaimer
All content on this website, including dictionary, thesaurus, literature, geography, and other reference data is for informational purposes only. This information should not be considered complete, up to date, and is not intended to be used in place of a visit, consultation, or advice of a legal, medical, or any other professional.