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Weismann, Julius (1879–1950)| German composer. He gained Nazi favour by accepting a commission to compose music for A Midsummer Night's Dream which was intended to replace Mendelssohn's; his Die pfiffige Magd (1939) was performed throughout Germany during the war years. |
| Weismann studied at Munich, then with Heinrich von Herzogenberg in Berlin, and again at Munich with Ludwig Thuille. |
Works Opera Schwanenweiss (1923), Traumspiel (1925), Gespenstersonate (all after Strindberg), Leonce und Lena (G Büchner, 1924), Landsknechte, Regina del Lago (1928), Die pfiffige Magd (after Holberg, 1939). |
Orchestral three symphonies, three pieces for orchestra, three sinfoniettas; four violin concertos, three piano concertos, cello concerto. |
Chamber 11 string quartets (1905–47), three piano trios (1908–21); sonata for violin solo, five violin sonatas, two cello sonatas, variations for oboe and piano. |
Other choral works; variations for two pianos; seven Op. nos. of piano pieces; 15 Op. nos. of songs. |
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