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avant-garde dance

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avant-garde dance

Experimental dance form that rejects the conventions of classical ballet and modern dance. It is often performed in informal spaces - museums, rooftops, even scaling walls.

In the USA, avant-garde dance has been mainly represented by the work of Merce Cunningham, and by the performances held by artists at the Judson Memorial Church during the 1960s. While retaining technique and rhythm, Cunningham abolished narrative, explicit emotional statements, and any direct connection between dance and music. The Judson collective went further, denying even the necessity for technique and concentrating on the use of everyday movement. They also avoided any attempt at gender stereotyping. Recent developments in the 1980s and 1990s have incorporated some of these characteristics but have also seen a return to skilled movement, such as in the works of Trisha Brown and Mark Morris.



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We should read such statements on "open" form and such mimeographed magazines as The Floating Bear as part of a more widespread attempt in postwar America to consolidate a position of alternative cultural authority, an attempt Daniel Belgrad has named "the culture of spontaneity" and defined broadly enough to include Black Mountain and Beat poets, bebop, Abstract Expressionism, gestalt therapy, and avant-garde dance and ceramics.
Mellon, who was then starting in the Broadway revival of West Side Story, and Christopher Beck, who in 1980 led a critically acclaimed San Francisco--based avant-garde dance company that frequently addressed gender-bending and surreal sexual themes.
By using the most imaginative writers and producers in the field, Madonna - in great voice here, incidentally - has a good shot at taking avant-garde dance music to the mainstream.
 
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