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bestiary
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bestiary

In medieval times, a book with stories and illustrations which depicted real and mythical animals or plants to illustrate a (usually Christian) moral. The stories were initially derived from the Greek Physiologus, a collection of 48 such stories, written in Alexandria around the 2nd century.

Translations of the Physiologus into vernacular languages (French, Italian, and English) date from the 13th century; illustrated versions are known from the 9th century. Much of later and contemporary folklore about animals derives from the bestiary, such as the myth of the phoenix burning itself to be born again.



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? Mentioned in ? References in periodicals archive
 
Her introduction sets bestiaries in context: in the Middle Ages, the written word was believed "implicitly"; God created creatures (including unicorns) "to underline some specific point of moral or religious teaching.
On the other hand, she evidently enjoys handling the enormous amount of material the "medievalistic" tradition offers her: in the case of animals, thus, her sources can be indifferently medieval bestiaries, classical epic poems, Germanic lore, or better still, twentieth-century treatments of all the repertoire the earlier sources offered.
Christian doctrine is one of several resources from which Lewis draws: besides Aslan, the book's characters include Father Christmas, Tumnus the faun, and talking beavers, characters inspired by Lewis's vast reading of classical mythology, Norse epics, medieval bestiaries, fairy tales, more or less all Western literature from Homer through Spenser's Faerie Queen.
 
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