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big-band jazz

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big-band jazz

Swing music created in the late 1930s and 1940s by bands of 13 or more players, such as those of Duke Ellington and Benny Goodman. Big-band jazz relied on fixed arrangements, where there is more than one instrument to some of the parts, rather than improvisation. Big bands were mainly dance bands, and they ceased to be economically viable in the 1950s.


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Dusty was a definitive interpreter of the great American songwriters of the day--Randy Newman, Goffin and King, Bacharach and David--and onstage and on vinyl she amazingly mixed girl-power pop with big-band jazz, Italian ballads, bossa nova, and, most stunningly, renditions of R&B gems.
And Erenberg is splendid on the subject of the political self-consciousness of big-band jazz during its heyday.
About 15,000 big-band jazz ensembles are up and playing in American high school and colleges.
 
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