Gale, "Segregation in British West Africa," Cahiers d'Etudes Africaines 20 (1951) 495-507; Philip D.

Ten photos of that type, under the title "History," were exhibited early in 2003 at the Ricco/Maresca Gallery in New York City; I missed that show, but, alerted to Delahaye's recent work by Quentin Bajac's excellent article in last summer's Les Cahiers du Musee national d'art moderne, I spent several days in Paris this past November in order to catch his exhibition of seventeen recent pictures at La Maison Rouge.

When, during the winter of 1940, Weil's "Poem of Force" first appeared as "L'Iliade, ou le poeme de la force" in the Cahiers du Sud, it temporarily unnerved Bespaloff, who was then still completing her remarks on Homer's masterpiece.