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cartoon

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cartoon

Humorous or satirical drawing or caricature; a strip cartoon or comic strip; traditionally, the base design for a large fresco, mosaic, or tapestry, transferred to a wall or canvas by tracing or pricking out the design on the cartoon and then dabbing with powdered charcoal to create a faint reproduction. Surviving examples include Leonardo da Vinci's Virgin and St Anne (National Gallery, London).

Humorous drawing

Cartoons were originally drawn to encourage people to think about political or social affairs. They were also created to make people laugh, and were often accompanied by a caption. In style, cartoons are simple drawings rather than serious artworks, and are made up of basic lines, with little or no shading, giving a ‘flat’ image. Colour is usually simple, and flatly applied. A cartoon can be a single picture, or a series of pictures known as frames. Film animations are also known as cartoons because they are made up of similar frames.

Preliminary drawing

Originally a cartoon was the full size preliminary drawing made in preparation for a final work. The cartoon was either used purely as a guide for the artist, or traced or pricked out for use as an exact plan for the final piece. Michelangelo, for example, transferred the images of his cartoons directly onto the ceiling of the Sistine Chapel during the making of his fresco. Raphael's cartoons for tapestries for the Sistine Chapel are now held at the Victoria and Albert Museum, London.



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? Mentioned in ? References in classic literature
 
The seriocomic periodi- cal PUNCH, I remember, made a happy use of it in the political cartoon.
Father was branded as a nihilist and an anarchist, and in one cartoon that was copied widely he was portrayed waving a red flag at the head of a mob of long-haired, wild-eyed men who bore in their hands torches, knives, and dynamite bombs.
But here, even in my grand room of state, there wasn't anything in the nature of a picture except a thing the size of a bedquilt, which was either woven or knitted (it had darned places in it), and nothing in it was the right color or the right shape; and as for proportions, even Raphael himself couldn't have botched them more formidably, after all his practice on those nightmares they call his "celebrated Hampton Court cartoons.
 
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