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chaconne
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chaconne

Piece of music derived from a dance form, possibly of Spanish origin, in three time, constructed over a ground bass. An example is the aria ‘Dido's Lament’ from Purcell's opera Dido and Aeneas (1689), in which the inevitability of the bass line conveys a sense of Dido's inescapable fate.


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This surface burlesque, however, cloaks Morris's great musical sensitivity and parodic flair, in which musical jokes of endless chaconnes and animalistic squawks of sound are sweetly echoed in a great swamp processional of amphibians with heads darting, cheeks puffing silently in and out, and bodies undulating as they sip from the water bowl of life.
But Evans was probably at his best in Alleyne's The New Blondes, a severely elegiac piece set to two Pachelbel chaconnes (in F and in D minor).
 
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