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cluster |
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clusterIn music, the effect of playing simultaneously and without emphasis all the notes within a chosen interval. It was introduced by the US composer Henry Cowell in the piano piece The Banshee (1925), for which using a ruler on the keys is recommended. Its use in film and radio incidental music symbolizes a hallucinatory or dreaming state, presumably because it resembles an internalized disturbance of normal hearing. The cluster effect is also heard in Ecuatorial (1933-34) by Edgard Varèse, Karlheinz Stockhausen's Piano Piece X (1961), and György Ligeti's Volumina (1962) for organ, using the player's forearms. Cluster writing for strings features in Krzysztof Penderecki's Threnody for the Victims of Hiroshima (1960), and for voices in Ligeti's Lux Aeterna. Cluster
cluster
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