After an elaborate process of classification, in which she traces the different subgenres and hybrids, Cumming concludes that the Continent adopted the English style cantilena style motets, "All three of these English genres -- isorhythmic motet, three-voice tenor motet, and cyclic Mass -- would go on to contribute essential features of structure, form and style to the four-voice tenor motet of the second half of the fifteenth century" (227).