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fugue |
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fugueIn music, a contrapuntal form where two or more (usually four) parts or voices (principal melodies for voices or instruments) are woven together. The voices enter one after the other in strict imitation of each other. They may be transposed to a higher or lower key, or combined in augmented form (larger note values). The fugue is the highest form of contrapuntal composition as heard in works such as Johann Sebastian Bach's Das musikalische Opfer/The Musical Offering (1747), on a theme of Frederick II of Prussia, and Die Kunst der Fuge/The Art of the Fugue published in 1751, and Ludwig van Beethoven's Grosse Fuge/Great Fugue for string quartet (1825–26). fugue
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The pieces are short, well-constructed and can play an important role in the development of fugal playing in the young pianist. The constructions of texts in response to texts is a fugal and/ or contrapuntal dance. Fugal theme and variation also predicated sound pieces such as A Man in a Room, Gambling, a 1992/1997 radio broadcast in which Munoz presented a series of favorite card tricks set to music by the composer Gavin Bryars. |
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