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viol
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viol

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The open strings of the treble, tenor, and bass viols.

Member of a Renaissance family of bowed six-stringed musical instruments with flat backs, fretted fingerboards, and narrow shoulders that flourished particularly in England about 1540–1700, before their role was taken by the violins. Normally performing as an ensemble or consort, their repertoire is a development of madrigal style with idiomatic decoration.

The three principal instruments, treble, tenor, and bass, are played upright, resting on the leg (da gamba), and produce a transparent, harmonious sound. The smaller instruments are rested on the knee, not held under the chin. Tuning is largely in fourths, like a guitar. The double bass viol or violone, used in baroque orchestras as bass-line support to the harpsichord or organ, became the model for the present-day double bass.



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The players are dressed in Oriental costumes that would have been outrageous to Rembrandt's contemporaries; a viola da gambist wears a colorful turban and bright tunic; a young harpist stares at the viewer as if annoyed by an intruder.
The man who played the music on the soundtrack was the Spanish viola di gambist Jordi Savall.
Featuring saxophonist Stan Strickland and pianist Peter Cassino's Quartet, featuring saxophonist Paul Saunders, bassist Sean Farias, and drummer Miki Matsuki; soprano Cristi Catt, mezzo-soprano Laurie Monahan, baroque flautists Carol Epple and Na'ama Lion, violinist Dana Maiben, viola da gambist Jane Hershey, lutenist Douglas Freundlich, harpsichordists Francis Conover Fitch and Peter Sykes, and dancers Camilla Finlay and Ken Pierce.
 
 
 
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