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iconography
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iconography

In art history, a way to classify works of art with reference to its subject matter, themes, and symbolism, rather than style. Iconographic study can also be used when analysing the style of a work. Attaching significance to symbols can help to identify subject matter (for example, a saint holding keys usually represents St Peter) and makes it possible to place a work of art in its historical context. The pioneer of this approach was the German art historian Erwin Panofsky.



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Written by one of Europe's most well-known iconographers, The Mystical Language of Icons is a serious-minded text yet highly accessible to lay readers, historians, and anyone interested in gaining a deeper understanding of iconography as a form of Christian worship, expression and communication.
The Mystical Language of Icons by Taylor, John / Reviewer's Bookwatch
must be defined so disjunctively that it often isn't clear whether there is anything on which feminists, poststructuralists, social historians of art, queer theorists, iconographers, connoisseurs, and so on might agree such that their disagreements could offer a productive exchange.
Editor's letter by Griffin, Tim / Artforum International
In the eighth century, when the emperor of Constantinople outlawed icons and initiated a 55-year wave of destruction of sacred images in the East, many iconographers fled to Italy for safety and continued their work under the pope's protection.
Let an Icon frame your prayer: Icons are not just beautiful ... by Forest, Jim / U.S. Catholic
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