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Imagism |
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ImagismMovement in Anglo-American poetry that flourished from 1912 to 1914 and affected much US and British poetry and critical thinking thereafter. A central figure was Ezra Pound, who asserted the principles of free verse, complex imagery, and poetic impersonality. Pound encouraged Hilda Doolittle to sign her verse H D Imagiste and in 1914 edited the Des Imagistes anthology. Poets subsequently influenced by this movement include T S Eliot, William Carlos Williams, Wallace Stevens, and Marianne Moore. Imagism established modernism in English-language verse. How to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit webmaster's page for free fun content. |
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| Ishmael Reed, firmly situated in the canon, has referred to the Norton as a "feminist propaganda volume" and criticized what he feels is the perfunctory treatment given to "the black writers of the 1960s," who he sees as "the most influential writers since the Imagists of the turn of the century" (Dick 230). And when he analyzed the blues, Brown discerned a poetic approach that paralleled the Imagists and other Modernists "in substituting the thing seen for the bookish dressing up and sentimentalizing" that characterized nineteenth-century literary verse ("The Blues as Folk Poetry" 378). Yet Wright's interest in and study of haiku came not from the American Imagists. |
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