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metre

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metre

SI unit of length, equivalent to 1.093 yards or 39.37 inches. It is defined by scientists as the length of the path travelled by light in a vacuum during a time interval of 1/299,792,458 of a second.

metre

In music, refers to the number and value of the beats in a bar of music. It is also known as time. Metre is different from rhythm in that it is regular (although the number can change as in the additive metres of African music and the works of Olivier Messiaen), whereas rhythm is irregular.

The metre or time of the music may be: duple, two beats to a bar; triple, three beats to a bar; quadruple, four beats to a bar; or indeed any other number such as eleven in Bulgarian folk music.

Time may also be simple or compound. In simple time each beat is a whole note (not dotted) that can be divided by two. For example, in 4/4 (simple quadruple time) there are four quarter-note beats to a bar and each beat can be divided into two eighth notes. In compound time each beat is a dotted note that can be divided by three. For example, in 6/8 (compound duple time) there are two dotted quarter-note beats to a bar, each beat can be divided into three eighth notes.

In music, the numerical sign for time is known as a time signature. This is always found at the beginning of the music and consists of two numbers shown as a fraction of a whole note. The upper number is the number of beats in a bar and the lower number the type of beat. For example, 2/2 means two half-note beats to the bar; 3/4 means three quarter-note beats to the bar; and 6/8 means two beats each of three eighth notes.

metre

In poetry, the recurring pattern of stressed and unstressed syllables in a line of verse. The unit of metre is a foot. Metre is classified by the number of feet to a line: a minimum of two and a maximum of eight. A line of two feet is a dimeter. They are then named, in order, trimeter, tetrameter, pentameter, hexameter, heptameter, and octameter.



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? Mentioned in ? References in classic literature
 
For there is no common term we could apply to the mimes of Sophron and Xenarchus and the Socratic dialogues on the one hand; and, on the other, to poetic imitations in iambic, elegiac, or any similar metre.
"Langland wrote altogether in metre," he says, "but not after the manner of our rimers that write nowadays (for his verses end not alike), but the nature of his metre is to have three words, at the least, in every verse which begin with some one letter.
He was a master of metre, and contributed certain modifications to the laws of Chinese prosody which exist to the present day.
 
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