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viol

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viol

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The open strings of the treble, tenor, and bass viols.

Member of a Renaissance family of bowed six-stringed musical instruments with flat backs, fretted fingerboards, and narrow shoulders that flourished particularly in England about 1540–1700, before their role was taken by the violins. Normally performing as an ensemble or consort, their repertoire is a development of madrigal style with idiomatic decoration.

The three principal instruments, treble, tenor, and bass, are played upright, resting on the leg (da gamba), and produce a transparent, harmonious sound. The smaller instruments are rested on the knee, not held under the chin. Tuning is largely in fourths, like a guitar. The double bass viol or violone, used in baroque orchestras as bass-line support to the harpsichord or organ, became the model for the present-day double bass.



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No rays from the holy heaven come down On the long night-time of that town; But light from out the lurid sea Streams up the turrets silently - Gleams up the pinnacles far and free - Up domes - up spires - up kingly halls - Up fanes - up Babylon-like walls - Up shadowy long-forgotten bowers Of scultured ivy and stone flowers - Up many and many a marvellous shrine Whose wreathed friezes intertwine The viol, the violet, and the vine.
Herbert was very fond of music; he sang, and played too, upon the lute and viol.
We got rid of all gloom in the excitement of the exercise, and our pleasure was increased by the arrival of the Gimmerton band, mustering fifteen strong: a trumpet, a trombone, clarionets, bassoons, French horns, and a bass viol, besides singers.
 
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